Some artists create beautifully abstract works which invite the viewer to form his or her own interpretations, colored by individual worldview and personal past experiences. Other artists favor a more direct approach, designing their projects around immediately recognizable forms that grab audiences’ attention and guide them toward a specific message. The creations of San Francisco based Kay Kang alternate between these techniques, or perhaps combine the two. While her concepts often involve abstract images, clear themes frequently emerge. Two main motifs seem to permeate Kang’s body of work: the experience of immigrants to foreign lands, especially regarding the mysteries and limitations of language; and the historic disenfranchisement of women in Asian cultures, in particular the undervaluing of female children in traditional Korean society. Both are areas in which Kang herself has direct experience, having been born in Seoul and later immigrating to the United States.
Kang works in mixed media, including paint, three-dimensional panels with sand or wood blocks, calligraphy or pictograms on rice paper, and free-standing sculpture using wire, wood, chunks of charcoal, rope -- even hardware and vegetables. This almost playful use of unexpected and varied materials is one factor that makes her projects so interesting. Along with her penchant for natural materials, she often incorporates images from nature or bold geometric shapes into her works. With her foundation of a Bachelor’s degree in audiovisual education from Korea’s Ewha Women’s University and a Master’s in printmaking from San Francisco State University, it’s little wonder that Kang is skilled in creating multimedia art in a variety of styles.
Public Collections (source: Asian American Women Artists’ Association, aawaa.net)
Hannes and Linda Lamprecht, Tiburon, California
Camino Medical Center, Mountain View, California
Minyard & Morris LLP, Newport Beach, California
Oracle, Redwood City, California
SAP of America, Electronics, Germany, Foster City, California
Music West Records Company, San Rafael, California
Selected Solo Exhibitions (source: aawaa.net)
2010 University of Stockton, Stockton, California
2008 Stanford Art Space at Stanford University, California
2007 Humboldt State University, Arcata, California
2005 Pigman Gallery, San Francisco, California
2000 SomArts Gallery, San Francisco, California “Waiting Room” – An Installation
1999 Korean American Museum, Los Angles, California
1998 Broward Community College, Pembroke Pines, Florida, “Jachui: Vestiges”
1994 San Francisco state University, San Francisco, California
Selected Group Exhibitions (source: aawaa.net)
2009 “Control”, SomArts Cultural Center, San Francisco, California
2008 “Ancient City, The Art of Urban Transformation,” Hayes Valley Market Street Gallery, San Francisco, California
2007 “Cheers Muses”, Chinese Cultural Center, San Francisco, California
2007 SomArts gallery, San Francisco, California, (S)kinship: African & Asian
2005 Seoul Museum of Arts, Seoul, Korea
2002 Bedford Gallery, Walnut Creek, California, “Shikishi”
2002 Oakland Art Gallery, Oakland, California “Bay Area, Currents 2002”
2002 San Francisco Arts Commission China Town Commununity Gallery San Francisco, California, “Slowly Enter”
2001 Wolks Gallery, San Jose, California, “Book Nooks Show”,
2001 Euphrat Museum, De Anza College, Cupertino, California, “Passing”
2000 Creative Arts Center, Palo Alto, California